Sabtu, 21 April 2012

Download Ebook Beirut Fragments: A War Memoir

Download Ebook Beirut Fragments: A War Memoir

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Beirut Fragments: A War Memoir

Beirut Fragments: A War Memoir


Beirut Fragments: A War Memoir


Download Ebook Beirut Fragments: A War Memoir

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Beirut Fragments: A War Memoir

From Publishers Weekly

Born in Jerusalem, raised in Egypt, educated in England and America, Makdisi married a Lebanese man and settled in Beirut in 1972. Despite the 1982 Israeli invasion and 15 years of civil war, the Makdisis are still there, "clinging to the wreckage" and maintaining a "strange love for this mutilated city." The author of this beautifully crafted memoir delineates the lives and emotions of those who chose to stay, emphasizing the joie de vivre of friends and acquaintances despite frequent shellings, aerial bombardments and fighting in the streets. Told from the point of view of a self-described housewife, this is apparently the first detailed account by a civilian of daily life in the cockpit of the Middle East war. A sensitive and perceptive observer, Makdisi also writes of the ruthlessness of Israeli troops in '82--which will shock readers. Copyright 1990 Reed Business Information, Inc.

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From Library Journal

This eyewitness report of the still-continuing war in Beirut conveys both the moving struggle to preserve the threads of daily life and the ever-present fear and rage at the destruction of the once-lovely city. Makdisi records her determination to survive the shelling, bombing, and killing that started with civil war in 1975 and accelerated by Israeli invasion in 1982. Huddled in shelters and faced with intermittent supplies of water and electricity, Makdisi and her neighbors grew increasingly angry at the callousness of the political leaders--Lebanese, Arab, and Western--who prolonged the fighting. This well-written memoir will appeal to all who are concerned with human survival, and also to those who need to be reminded of the cost of big-power politics.- Elizabeth R. Hayford, Associated Colls. of the Midwest, ChicagoCopyright 1990 Reed Business Information, Inc.

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Product details

Hardcover: 253 pages

Publisher: Persea Books; 1st edition (September 1, 1990)

Language: English

ISBN-10: 089255150X

ISBN-13: 978-0892551507

Product Dimensions:

5.5 x 1 x 8.5 inches

Shipping Weight: 1 pounds

Average Customer Review:

4.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#2,790,781 in Books (See Top 100 in Books)

Beirut Fragments is the only work on the Lebanese civil war (1975-1990) that covers the lives of ordinary Beirutis. Whereas almost all other books are loaded with interviews with politicians and analysts and are decorated with conclusions trying to understand the causes of the war and assess its consequent destruction, Jean Said Makdisi, the sister of the late famous Palestinian writer Edward Said, describes with skill her daily stressful life in Beirut during the Lebanese capital's dark days.Where did people go when the different militias endlessly battled and exchanged bombardment with no apparent reason behind such behavior? How did people manage their daily lives? In Lebanon, answers to these questions are abundant and people talk about them anecdotally and sometimes with nostalgia. Yet, Makdisi offers the most remarkable written testament on the issue.One of the book's most intriguing statements occurs toward the beginning of the books when Makdisi tries, in vein, to interpret the behavior of the warring factions as she comes up with the conclusion that the scene of the Lebanese civil strife was an incomprehensible kaleidoscope.This marvelous book, however, includes a chapter about Makdisi's childhood days with her family in Egypt. The chapter, which belongs more to a book of memoirs or an autobiography, looks very much out of place and irrelevant.Another drawback is Makdisi's apparent intention to capture the feelings of the people who survived the war in an absolute sense rather than offering a descriptive report about the days of this war as seen from the eyes of a regular citizen like Makdisi. Her attempt to keep the book empty of any names or dates - perhaps in order to keep the book away from inter-Lebanese sensitivities - strips the book of any context. Even though I was born and raised in Ras Beirut during the civil war, I could hardly imagine the places or tell the dates the book refers to, except for the Israeli invasion and the so-called War of Liberation.This severe anonymity made Makdisi keep out even the names of her sons or immediate family members save for a single name, that of her husband Samir, which appeared without such restriction.The book is a lovely read and Lebanon certainly needs more similar books with more names and dates that would describe the suffering of the daily lives of the Lebanese during that period.

Not told from the high-brow, moralizing perspective of journalists, or reduced to dry politics or the dissertations of historians. Get a view of modern urban war from the vantage point of the ordinary citizen who must send their children to school and decide whether to risk the drive to work based on whether the local fighters are wearing combat fatigues or snoopy tee-shirts. The author writes in a down-to-earth style, but also soars at times with well-turned prose and gut-wrenching observations - mostly reads like a personal daily to weekly diary of the war (sometimes from the perspective of the apartment building's lower car garage that doubles as a shelter for tenants when the bombs begin to fall. Not just for the war buff or historian of the region, but also for those who want insight into the human condition. I highly recommend this book!

Great book! I think I had bought it twice!

Beirut Fragments is a first hand account of the tragedy of war in Lebanon. The unwarranted invasion of Lebanon by Israel in 1982 is yet another Israeli action that turned neutral attitudes into hatred.I lived and worked in Beirut during the civil war that began in 1975. When I read Jean Said Makdisi's account of the 1982 invasion it revived in me all the memories I harbored about my experiences. The author's portrayal of events and the affect it had on the people who lived there during this invasion is a story that should be read by everyone.

In 2002 I wrote a review of this book but for some reason its private so I am posting a brief review. At the time in 2002 I said that I had never written a book review before but I really wanted to recommend this book -- so the book was so good and captivating that it merited my first review! :-D I have never been to Lebanon but some Lebanese friends said the book struck home for them and it described for them how they remembered Lebanon from their childhoods. When I read the book in 2002 I did so in 2 or 3 days -- it was so good that I couldn't really put it down...

Makdisi's book is a remarkable testament to a shattered city that was raped, pillaged, battered, dismembered and physically left to die as a result of the civil war that raged from 1975 to 1990. The beauty of her writing lies in her heart wrenching simplicity and descriptive account of those terrible years seen through the eyes of a mother and teacher who witnessed the slow and lingering death of a city that she had grown to love. Every page is a testament to the people of Beirut who lived through the conflict and yet quite remarkably the passion that Makdisi feels for Beirut is heightened to dramatic effect whilst at the same time deploring the wages of war and how the city had become a playground for terrorist activities by largers players on the world scene. The people of Beirut were simply forgotten by the world and yet her love of humanity and how her hope remains unremitting is a shining example to mankind, amidst the carnage. A remarkable book, gripping and vivid, and a testimony to the belief that the human spirit can transcend all conflicts.

I was born in Beirut after the war started and left for the US just a few years after it ended. A few years ago I came across this book in a used-book store (sadly now closed) in Boston. It is incredible how well it captures the life and feelings of the people who stayed on in the city through those days. The day to day decisions, the scheduled cease-fires, the love of life that permeated through all the killing.If you ever wondered what it was like living through the lebanese civil war, this is where you will find not just an account but a full recreation of a world slowly healing.

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Rabu, 18 April 2012

Download , by Alexander Dumas

Download , by Alexander Dumas

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, by Alexander Dumas

Product details

File Size: 1761 KB

Print Length: 697 pages

Page Numbers Source ISBN: 1537594265

Publisher: Coterie Classics (March 24, 2016)

Publication Date: March 24, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01DE64610

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Amazon Best Sellers Rank:

#27,426 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have the Robin Buss translation of THE COUNT OF MONTE CRISTO in paperback, but that copy was old and worn. I wanted a more durable hardcover edition to read and to display on my bookshelf in my new house. The hardcover I bought from Total Books arrived in near-perfect condition, exactly as advertised, and looks gorgeous on the shelf.Why Robin Buss' translation for Penguin Classics? That's a reasonable question since Alexandre Dumas has been dead long enough for his works to enter the public domain. Several translations of his major novels are not only available in cheaper editions (such as Barnes & Noble Classics), but for free on Project Gutenberg.These are inferior and, in the case of THE COUNT OF MONTE CRISTO, censored translations. Most of them date back to the Victorian period, and render Dumas' evergreen French into English prose that feels old-fashioned and stilted today. Furthermore, because these are translations from the Victorian period, the translators filtered Dumas through their own moral sensibilities to give us Bowdlerized versions of a novel that ran on sex, drugs, and rock 'n roll a century before rock 'n roll was something you could do without a machine gun.Robin Buss' unabridged translation comes directly from the original French and renders Dumas into fresh, readable modern English. Material previously omitted by Victorian-era translators such as Franz' hashish-fueled sexual fantasies and the strongly implied lesbian relationship between Eugenie and Louise remain intact and uncensored. As another reviewer pointed out, Buss will provide footnotes to explain subtleties that aren't easily translated from French to English, such as insults delivered by using the formal you (vous) rather than the informal/friendly/intimate you (tu).A detailed appendix provides valuable historical and cultural context that aids the reader in understanding Dumas' masterpiece, and includes a primer on the rise, fall, return, and final downfall of Napoleon Bonaparte that is crucial to making sense of the politics driving the novel's plot.If you cannot read Dumas in his native French, and you want a definitive English version, Robin Buss's unabridged and uncensored modern English translation is essential reading. No other translation will suffice.

This is my favorite novel, a story not only of persecution and vengeance, but of man's relation to his God and how it drives, inspires and interferes with his judgements. Often adapted to film, nobody has captured the depth of Dumas' perceptions and understanding of people, largely because filmmakers focus on the excellently-told action rather the true essence of the story. This is one man's battle against himself, beautifully articulated egardless of which translation from French you choose to read. If you've not read Dumas before, be aware that he sets up his characters and circumstances, creating mysteries, then departs from his main story line to pursue secondary characters. All the threads pull together by the end of the story, but through at least a third of the book, Edmund Dantes is only peripherally present. Don't be discouraged - it's worth the wait, as the resolution is one of the most moving I've encountered in literature. A brilliant book by one of history's most original writers and creators of great heroes.

I love this book. It is a masterpiece of writing and I wanted a copy I could read any time I wanted. However, the Kindle edition has so many errors that it is unreadable. Every page has words running together, and it makes for a huge headache to get through even 2 pages. I couldn't read it due to these issues. I'm very glad I only spent $1.99 on it, but I wish I had spent nothing. A very poorly edited kindle edition.

It's a classic for a reason. I can hardly put it down.

This classic story of wrongful imprisonment, hidden treasure, and revenge is truly a masterpiece. Alexandre Dumas’ famous novel The Count of Monte Cristo has seen life not only in print but in film and television, but one cannot appreciate the novel unless you read it in its entire unabridged length.Edmond Dantes is wrongfully accused of a crime and thrown in prison without trial to be forgotten, after overcoming both mental and physical anguish and befriending a fellow prisoner, and finally he is able to escape. Thanks to his friendship Dantes knows where a potential hidden treasure is located and finds it to be real, and using it begins finding out why he was thrown into prison and chart is path to revenge through fortune and hidden identities. Yet what this quick synopsis omits is the numerous and fascinating major and secondary characters that Dantes interacts throughout the narrative.Originally published in serial form, Dumas was paid for how much he wrote and one would think that The Count of Monte Cristo might be riddled with meandering subplots that never go anywhere and/or have nothing to do with the central plot. But Dumas instead wove a tapestry of beauty with every word he wrote; instead of making meandering plots he described scenes and events in rich detail that it brings the story even more alive in the reader’s imagination.If pressed to find anything negative to say about this book, the easiest answer would be cultural references that are almost 170 years old. The only other negative was the completely different societal norms that were in Parisian society in the 1840s compared today’s. However both of these ‘negatives’ can easily be put down to a piece of fiction that was contemporary when it was written but now can be seen as historical fiction with the passage to time.The Count of Monte Cristo needs to be read in all its unabridged glory to fully appreciate why it is a masterpiece and classic. Dumas’ literary tapestry is a delight to behold once finished with the last page and makes the reader think about when they’ll have time to reread it in the future.

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