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How to Stop Acting: A Renowned Acting Coach Shares His Revolutionary Approach to Landing Roles, Developing Them and Keeping them Alive, by Harold Guskin
Download How to Stop Acting: A Renowned Acting Coach Shares His Revolutionary Approach to Landing Roles, Developing Them and Keeping them Alive, by Harold Guskin
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From Publishers Weekly
No, this isn't a guide to helping introverts learn how to loosen up and be themselves. Rather, it's a new perspective on auditioning for theater. "Acting doctor" Guskin, who's worked with Kline, Glenn Close, James Gandolfini, Steve Martin and others, explains his strategy, which, at its core, states that actors do not have a responsibility to create characters, but to be continually responsive to their lines, wherever their inclinations take them. It's an honest, non-gimmicky take on a perennial problem. With specific anecdotes (e.g., "Peter Fonda came to me in 1993, he wanted to rethink his acting") and concrete advice (e.g. "take it slow" and "let the script guide the research"), Guskin covers various acting scenarios, from the stage (including Shakespeare) to film and television. He imparts much wisdom, yet counsels, "discover what makes you tick as an actor. Use what works and discard whatever gets in the way, no matter how sound the concept."Copyright 2003 Reed Business Information, Inc.
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Review
“Ask an actor who the coach of the moment is and no matter whose name comes up as well, Guskin's is mentioned three times out of four.†―The Village Voice“Reading through these pages, I realize not only how much I learned from Harold, but also how safe he made me feel. The courage to take the risks that pushes us into new discoveries-new emotional territory-does not come without trust. Harold created a place filled with a trust that ultimately freed me to find my wings . . . one role at a time. This book will be invaluable for anyone passionate about learning the craft of acting and for those of us who need to be reminded of the basics of the craft we have dedicated our lives to.†―Glenn Close“Many actors, newcomers and veterans alike, often wonder why it's so difficult to be as real, natural, and emotionally charged on stage or in front of the camera as we are in our daily lives. Harold Guskin explains how, by habit and misconception, we tend to undermine our potential. How to Stop Acting is a clear and concise actor's guide to living the truth in our work.†―Christopher Reeve“Harold gives a very sane point of view to a very insane business and a very insane craft. Sometimes, when I read a script, I'm tempted to put on seven different wigs and change everything and do all this stuff-like knock my head against the wall twenty times before I know what I'm doing. Then I'll come to Harold, and I'll realize it's a lot simpler than that.†―James Gandolfini
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Product details
Paperback: 208 pages
Publisher: Farrar, Straus and Giroux; 1st edition (June 25, 2003)
Language: English
ISBN-10: 9780571199990
ISBN-13: 978-0571199990
ASIN: 0571199992
Product Dimensions:
5.6 x 0.6 x 8.1 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
75 customer reviews
Amazon Best Sellers Rank:
#27,344 in Books (See Top 100 in Books)
While most acting books focus on a specific method and everything the actor "should" do, this does a bit of a flip and teaches a "non-method," while focusing on what the actor should NOT do; or rather, on breaking an actor's bad habits- which most tend to have.The writing is simple and straightforward, but the content is quite unique, yet the content isn't quite like what you'd expedt to find in a book on how to act- or how NOT to act, in this case. He also includes lessons that he has learned from the big-name actors he has taught over the years, to give the actor a broader scope from which to view their own experiences and approach to acting.It's not a very long book, and while it does go off on a tangent at times, a definitely a refreshing place from which to undertake a new approach to performing and auditioning if you've been feeling stuck in your career.
This book not only stresses using your intuition, but provides actual help to get you there. I am very grateful for not only the good advice, but the philosophy beneath the advice. I'm sorry the author is dead because I would love to write him a thank you note. Anyone people like Kevin Kline depend on is good enough for me!!!
I purchased this book to help me in my voice acting. I'm not a trained actor, so i thought it would help me. The basic premise is simple: don't memorize a script, but keep the spontaneity juices going even through a performance. The author gives many anecdotes of his personal life as an actor, and of the students he coaches. I wish there was an a video or recording of an actual coaching session so that I could see the techniques in action.Because of my lack of training in the field, many of his techniques and experiences are over my head. Using this for voice over work is limited, in my view, because most voiceover scripts cannot be read in a spontaneous way, in a different mood each time. It might be useful in an audition, perhaps in finding the proper read, or in discovering a unique approach to the copy. If you're a voice actor, maybe it will help you. Your mileage may vary.If you're an actor, this book will give you a leg up from audition to final performance. Many of the famous names he's coached can attest to his techniques for success. Whether you're a seasoned professional or just beginning you'll find a lot in this book that will help you.
When I opened this it was all dirty and had grease marks all over it. Pretty gross, not a germaphobe but the fact I have to read this and it looks like it has been through hell and back is pretty gross.
This book has changed my acting radically. For the better!! Harold's ideas have opened me up and freed all the should'ves and ought-to-dos! Very hard to express...
Maybe it’s just the right time for me to have picked this book up.I just came from a class where I killed it with four scenes using Guskin’s techniques.I recommend this book for any actor, beginner or experienced.
This is a terrific book, an entirely different approach to creating a character that makes acting immediately accessible. I read it with a pen in hand, underlining passages and starring sections that were especially important. (A LOT of this book is marked up!) Two years of acting classes had me feeling confused and discouraged. This book made me excited about acting again.
Great technique for trusting the text and yourself. It leaves you free to respond to the other characters and to continuous exploration of the characters and the play.
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