PDF Download , by Elena Tchernichova
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, by Elena Tchernichova
PDF Download , by Elena Tchernichova
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Product details
File Size: 2472 KB
Print Length: 328 pages
Publisher: Northeastern University Press (May 14, 2013)
Publication Date: May 14, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00CLWRQ84
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I picked up this book because I was headed to Russia and wanted a taste of the country I was about to visit. I am not a dance person and honestly cannot appreciate ballet. But I LOVED this incredible gem of a book, and I can only imagine that would apply exponentially for someone who followed the ins and outs of the world of dance in these decades. This book is gorgeously written - the descriptions are so vivid and clever, they create a three-dimensional world and then linger in your mind pleasantly for time to come. The period covered, from the siege of Leningrad to the post-cold war period, is fascinating in and of itself, but told through the voice of someone who experienced it from both sides of the iron curtain is a first-person study in what the geopolitical events meant for real people. I cannot emphasize enough how beautiful the writing is - I found myself reading sentences over and over and marveling at the precise and creative use of words, which brought to life a world that I am completely unfamiliar with. I recommend this book to anyone who is interested in dance, history, Russia, life, art and most of all an absorbing read.
From first page to last this book carries the reader along. I personally could not put it down and was sorry when it ended.Elena's start in life was nothing short of tragic. Raised in starving, war-ravaged Leningrad, she had a neurotic mother who became an alcoholic and committed suicide when Elena was still a child. Afterwards, her grandmother -- illiterate, the daughter of serfs -- coped as well as she could, but it was a mother and daughter from the great Vaganova ballet school who became Elena's salvation by urging her to study there.In school and later at the Kirov Theater she encountered so many fabled performers with weaknesses, strengths and personalities of their own, individuals who will remain in your memory. Plisetskaya, whose features would reveal nothing during the most incredibly difficult performances, or Alla Shelest who was nervous as a cat before going on stage. Nureyev who refused to put himself out for a partner who would not go halfway to help him in the lifts, or Baryshnikov who would shrug and go along, if grudgingly, with the uncooperative partner. And Makarova with her dressing table crowded with religious icons for good luck. Then the never to be forgotten Ninel Kurgapkina....All those gods and goddesses of the dance.Elena Tchernichova herself did not have their superhuman drive, their willingness to suffer limitlessly in striving to become a world-class dancer. Her true vocation was to teach others to dance on a world-class level. And to do that she had to suffer through the most rigorous course of ballet, the Russian school. Her career then took her to other parts of Russia including Odessa where she and her husband, a former leading dancer, directed the ballet program.In time, more than a few stars and other practitioners of the art, including Tchernichova herself, renounced their citizenship and seized what opportunities they could in foreign lands. For some, like Alexander Godunov, the result was not always happy. The author's description of his defection is highly entertaining and I can verify its accuracy because the bizarre facts, played out in headlines and newscasts, remain vividly in my mind.The book provides fascinating insights into the ballets themselves as well as the struggles and contentions that go into any production.And of course not to be forgotten are the difficulties and risks that are part of a dancer's life. Among those risks are the fish-dive and the even more perilous double fish-dive which ballerinas fear. There are few moves as exciting in all of ballet and the particular example described in this book is proof beyond a doubt of the courage and incredible skill of these artists.There is much wry humor in the book as well. The last paragraph in chapter twenty-four is hilarious. Cynthia Gregory and Patrick Bissell in Giselle. Cynthia runs screaming from the stage: "Never again!"I am convinced there will never be a more authentic account of life in the dance world. Certainly there will never be a more interesting one.
The list of must-read dance autobiographies is disappointingly short. Dancers are not necessarily the most articulate people, and their memoirs are often frustratingly opaque and unreflective. A happy exception is Elena Tchernichova's memoir. Maybe that's because her dance career was rather brief. Instead she spent most of her time as a coach, most famously during the Mikhail Baryshnikov era at the ABT. Tchernichova's childhood was unhappy. Her father was called in by the state police one day and never returned. Heartbroken and distraught, mother poisoned herself when Tchernichova was nine. Tchernichova was accepted into the Vaganova Academy and later, the Kirov (nowadays Mariinsky) Ballet. Tchernichova's remembrances of her tough, harsh ballet training and the politics of the Kirov Ballet are priceless. Natalia Dudinskaya, Konstantin Sergeyev, Alla Shelest, and other famous and not-so-famous dancers from that era are recalled without any sentimentality and (this is important) agenda on the author's part.Tchernichova later immigrated to the United States and became a highly influential coach at the American Ballet Theatre. Mikhail Baryshnikov was once asked to fire her and said "She is the ABT." This part of her memoirs is more gossipy, more into score settling (there's no love lost between Tchernichova and Sir Kenneth MacMillan or Georgina Parkinson), but Tchernichova's talent for telling interesting stories is as strong as ever. Mikhail Baryshnikov, Gelsey Kirkland, Alessandra Ferri, Altynai Asylmuratova, Diana Vishneva, and others are described vividly. What's more, Tchernichova has some very intelligent and insightful things to say about the Russian school of dancing vs. the American school. You actually learn about what it's like to dance in several ballets. Ever wonder how the corps prevent their legs from cramping in the long stretches when they are asked to stay perfectly still in the background? You can find out in this book.Tchernichova herself comes across exactly as you'd expect a ballet mistress to be: tough, unsparing, but also capable of compassion. This is one of the few books that is gentle on Gelsey Kirkland. This is a book I return to time and again. Wonderful memories, wonderful insights. If you love ballet, you will want to read this book.
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